Premiered in 1990 at Carnegie Hall under the composer’s own direction, the Magnificat was commissioned by MidAmerica Productions. Rutter scored the piece for soprano solo, mixed choir, and either a full orchestra or a chamber ensemble with organ.
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While the Magnificat (the Song of Mary from the Gospel of Luke) is traditionally treated with solemn, liturgical introspection in Western church music, Rutter envisioned something entirely different. Inspired by joyful outdoor festivals in Mediterranean and Latin American cultures, he infused the piece with syncopated rhythms, bright orchestration, and dance-like energy. Premiered in 1990 at Carnegie Hall under the
– A dramatic, aggressive movement filled with powerful brass and choral declamations. However, you can legally obtain digital copies and
Rutter frequently alternates between very soft passages ( ) and large, dramatic sounds (
Reviewers highlight a "good balance between the extrovert and intimate," with lyrical passages (particularly the "Esurientes") cited as some of Rutter's most inspired work.
The aggressive nature of Movement V ( Fecit potentiam ) can tempt singers to shout. Remind your choir to maintain a supported, resonant vocal tone, letting the dramatic orchestration do the heavy lifting for the volume.