The setting often mirrors mainstream soap operas of the late 1980s, utilizing dramatic tension, betrayal, and high stakes to move the plot forward. Production Value and Era Aesthetics
The plot (what little there is) revolves around an artistic retreat called the Whitestone Institute , featuring characters like a foul-mouthed "Beat poet" played by Herschel Savage . 🎭 Notable Cast Members The setting often mirrors mainstream soap operas of
Taboo VII: The Wild and the Innocent is a complex film that defies easy categorization. On the surface, it appears to be a straightforward exploitation film, designed to shock and titillate audiences. However, upon closer inspection, the film reveals itself to be a nuanced exploration of themes such as desire, power, and relationships. On the surface, it appears to be a
To understand the shock of “The Wild and the Innocent,” you must first understand the phenomenon of “Taboo.” The series began in 1980 and was helmed by director . It was a franchise that defined erotic cinema for nearly a decade, known specifically for romanticizing and exploring the most forbidden taboo of all: incest—specifically mother-son and father-daughter relationships. Stars like Kay Parker became icons of the genre by pushing the boundaries of narrative porn to include complex, dramatic storylines. It was a franchise that defined erotic cinema
That's right. Most of the footage you see in this 1989 release is actually an almost decade-old movie. Directed by (a softcore director from the 60s and 70s) under a pseudonym, the original 1980 film was sitting on a shelf gathering dust. According to sources and sharp-eyed film buffs, distributor Dave Arthur simply purchased the rights to the 1980 work, shot a few cheap video segments to bookend the film (specifically the Randy West song intro and the closing credits), slapped on the “Taboo” branding, and re-issued it in 1989.
Released in 1989, Taboo VII was directed by Jim McBride, an American film director known for his experimental and often unconventional approach to storytelling. The film was part of a series of adult-oriented movies produced by Taboo Films, which aimed to push the boundaries of on-screen intimacy and eroticism. The Wild and the Innocent, in particular, was designed to be a more artistic and introspective take on the adult genre, featuring a mix of explicit content and narrative storytelling.
